ericamerylthomas [at] gmail [dot] com

reading and writing in my practice

Added on by Erica Thomas.

I'm so excited to announce that this week I started writing for Bitch Media, the national feminist pop culture blog! I'm being mentored by the fabulous, smart, funny, Sarah Mirk whose written and interdisciplinary work is really amazing. 

Over the last year or so there has been a convergence in my practice around language. I've always wanted to incorporate more writing into my practice and with my recent projects taking a literary turn it makes sense that I'm thinking about how the written word can affect my thought process. Reading aloud, writing short fiction, artist books, and activist writing are becoming integral to my creative process. As I think about what I want to spend my time doing post-graduate school I no longer see writing as exclusively a way to work through ideas but as part of my creative output. Though I've self-identified as a writer for some time I haven't shared much of it publicly until recently. And now it's finally starting to feel real.

Check out my first Bitch post here.

in conversation with

Added on by Erica Thomas.

We all dread updating CVs but sometimes it can be a nice exercise to help us remember what we've actually accomplished. Earlier this week I was looking through old projects to see what needed to be added and I dug up this zine, which includes a short interview I did with Gina Reichert of Design 99 in Detroit. Design 99 is a small collective of sorts that does work in the intersections of art, design, architecture, community organizing and city planning. I invited Gina to be one of our guest lecturers for the 2011/12 series at Portland State University. Her projects are definitely worth a deeper look on her website, visitdesign99.com. The full interview text is below.

in conversation with design 99.jpg

 

E: How would you explain your art practice to your mom?

G: We make stuff in our neighborhood, sometimes with houses or around houses or around the idea that we can do more with the houses we have. We've started making video work as a way to show people what it is we do in our neighborhood. People pay us to talk about our work and make new work in museums, sometimes galleries. Yes, we can pay most of our bills this way.

E: What about your practice is specific to Detroit and what projects or ideas do you think would work anywhere?

G: Our projects are site specific, meaning wherever we work we adapt to the situation. Most of our work happens to be in Detroit, and so directly reflects the situation right here. But our work makes plenty of sense elsewhere and we've done installations and projects in other places, from Chicago to The Netherlands. I would note that all cities have issues like Detroit, maybe just not at the same scale. But more likely they are in areas that aren't usually talked about or others might not know about them unless you are from that specific neighborhood. 

E: Do you actively seek participation from your neighbors and others in the community or do you prefer to make work that draws people in on their own?

G: We make work that confuses and amuses our neighbors. Our studio space is in our neighborhood. Our work elicits conversation and instigates dialogue, but does not directly involve them in the making.

E: What are you reading right now?

G: I've been reading Dr. Seuss's "ABC" quite a lot. Just finished "The Immortal Life of Henrietta Lacks, which is an amazing story of medicine and race and family structure. But mostly we read Craigslist postings and newspapers.

 

dream with burglars

Added on by Erica Thomas.

I awake in the night to the sound of the office door opening. I have been working in there, possibly painting and have left a ladder leaned up against the wall next to the door. I know that the door could not have opened from the force of the gentle wind that is blowing outside, so it must have been moved by a person. I am frightened. I realize that I have left the overhead light on above my bed on the lowest setting so there is an eery green light in the room coming from the energy efficient bulb. I call out from my bed, Hello? No one answers. I have left my phone on the bed in the place where my husband usually sleeps because he is out of town. I reach for the phone and frantically dial 911, missing the buttons several times before I get the number right. While it is still ringing. I get up and start charging toward the office yelling, I will fuck you up if I catch you, just in case there is a person there. As I get to the hallway two young men are running out of the office into the living room and out the front door. A man answers my call as I chase the teenagers out into the yard. I am running after them and describing their clothing to the man. Maroon sweatshirt, jeans, dark brown hair, 5'10, male, teenager. Green shirt, jeans, brown hair, 6', male, teenager. I get to the corner of the house near the garden and catch the one in the dark red sweatshirt pissing on my tomatoes. He quickly gathers himself and runs to catch up with his accomplice. They jump into a white late model sedan and drive off. I shout to them that they had better not come back because I keep a weapon in my bed stand. I go back inside and take the largest knife out of the woodblock and bring it back to bed with me. 

 

I wake up in my room. It is daylight out now. I lift the curtain to look out the window. There is some sort of event happening for which more parking is needed. There is a tall woman with short blonde hair and a safety vest on selling parking spaces in our front yard the way they do in college towns on football game days at houses near the stadium. Cars are driving over the rain garden we put in last spring and the tires are mangling its form. I signal to the woman and she nods knowingly and stops selling parking spaces. When I turn around my parents are in my room along with a large group of strangers, though they do not look like my parents. My mother is now a stout woman with light frizzy hair, not the tall slender dark-haired beauty I know. I can't quite make out the form of my father. They have been divorced for nearly 15 years but they are here together now. The bed is gone to make room for all of the people. I begin to tell them the story of the intruders and when I get to the part where I say, Hello? My mother cackles with laughter. She asks what good I thought would come of greeting them politely. I try to explain that I was just calling out to see if anyone was there at all and that I wake up in the night nearly every night thinking that I hear someone in the house and that it bothers my husband when I do this because he wakes up too and then has trouble returning to sleep and though he never says any of this to me I know it is true. But everyone is laughing still at the absurdity of my greeting so they miss my explanation.